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SPONGEBOB VOICE ACTOR TOM KENNY WAS USED FOR THE ROBOT VOICE. WE SPENT WEEKS DEVELOPING THE VOICE TO CREATE A UNIQUE ANIME VIBE. I WAS EXTREMELY FORTUNATE TO WORK ON THE FIT CAMPAIGN AND DOZENS OF OTHER HONDA SPOTS FROM RPA.

THIS SPOT WAS DIRECTED BY LEGENDARY DIRECTOR FRANK BUDGEN. I USED MY VOICE FOR THE ASIAN GUY RUNNING~OOF!

THIS CLIO AWARD WINNING SPOT WAS DIRECTED BY DANIEL KLEINMAN & COMPOSED BY JUNKIE XL. ALL OF THE VOICES WERE MY OWN EXCEPT FOR THE FINAL KICK~HI~YAAH! 

ALL SFX WERE MANICURED TO HEIGHTEN THE INTENSE FEEL OF THIS HEIST. I WAS BLESSED TO BE THE AUDI SOUND DESIGNER FOR A MAJORITY OF THEIR SPOTS WHILE THE COMMERCIALS WERE PRODUCED AT THE AGENCY,  VENABLE BELL & PARTNERS!

THIS CLIO AWARD WINNING SPOT WAS CREATED FOR THE LAUNCH OF TOYOTA'S YARIS BY THE INFAMOUS GRAPHICS GROUP, TOKYO PLASTIC. THEY WERE KNOWN FOR THEIR ULTRA HIP WORK. THE YODELING PORCUPINES WERE MY VOICE~AYAHYAHYAHYAHHHHAYAHAHAHYA!!!

PAUL HUNTER DIRECTED THIS MINI FILM STARRING CONTROVERSIAL FOOTBALL PLAYER, COLIN KAEPERNICK. IT FEATURES THE SONG IM THE MAN BY ALOE BLACC-ONE OF MY ABSOLUTE FAVORITE JAMS! THE CREATIVE TEAM ASKED TO SOUND DESIGN THE SUCTION SFX MOMENT WHEN THE HEADPHONES WERE PLACED ON HIS HEAD. THEY WANTED IT TO SOUND LIKE A VACUUM  SUCKING OUT THE HATE.

ANOTHER SPOT THAT I WAS PROUD TO BE A PART OF IS IN THE PERMANENT COLLECTION AT THE SMITHSONIAN! IT HAS TREMENDOUS SENTIMENTAL MEANING SINCE PRINCE WAS ONE OF MY POPS’ FAVORITE ARTISTS.  WE CREATED THE MUSIC TO GIVE IT THAT DISTINCT MINNEAPOLIS VIBE.

THE LEGENDARY RZA MADE THE MUSIC FOR THIS SPOT. IT WAS THE BEGINNING OF LEBRON JAMES CAREER SO THE HYPE WAS VERY REAL! LOVED KICKIN IT W THE RZA AND WORKING OUT THE DETAILS AROUND HIS MUSIC!

THIS SLO-MO SPOT WON A CLIO & AICP AWARD! MY GRUNT WAS THE PAINED VOICE USED FOR DERRICK ROSE WHEN HE WAS DOING PT. GRATEFUL THAT I COULD WORK ON SUCH A SICK ONE!